From the National Book Award finalist Gavriel Savit, Comes a New Middle-Grade Fantasy.
Come See the Fair By Gavriel Savit
An unforgettable story of magic, mediums, and séances set during the Chicago World’s Fair from the author of the National Book Award finalist The Way Back.
Twelve-year-old orphan Eva Root travels the country pretending to channel spirits at séances. Her audiences swear their loved ones have spoken to them from beyond the grave. This, of course, is impossible.
But one day, Eva experiences another impossibility: she hears a voice in her head telling her to come to the World’s Fair in Chicago. There, she meets a mysterious magician who needs her help to bring magic to life. But as their work progresses, Eva begins to suspect that the project's goals may not be as noble as they seem. And when tragedy strikes, Eva will have to reach beyond death itself to unravel the mystery of the magician's plan—before it’s too late.
From the author of the National Book Award finalist The Way Back comes a story of what to do when you get burned by the magic you’ve been looking for all your life.
“Gavriel Savit is an alchemist. Fusing history and magic with the shimmering ghost light of the 1893 Chicago World’s Fair, he has conjured a perfect potion of adventure and suspense. I was spellbound from the first page.” —Candace Fleming, award-winning author of The Rise and Fall of Charles Lindbergh and Murder Among Friends
More Books by Gavriel Savit
The Way Back By Gavriel Savit
NATIONAL BOOK AWARD FINALIST and a SYDNEY TAYLOR NOTABLE BOOK, now in paperback! A sweeping historical fantasy that follows two teens on a perilous journey through the Far Country, a Jewish land of spirits and demons. Perfect for readers of Neil Gaiman and Philip Pullman.
For the Jews of Eastern Europe, demons are everywhere: dancing on the rooftops in the darkness of midnight, congregating in the trees, harrowing the dead, even reaching out to try and steal away the living.
But the demons have a land of their own: a Far Country peopled with the souls of the transient dead, governed by demonic dukes, barons, and earls. When the Angel of Death comes strolling through the little shtetl of Tupik one night, two young people will be sent spinning off on a journey through the Far Country. There they will make pacts with ancient demons, declare war on Death himself, and maybe-- just maybe--find a way to make it back alive.
Anna and the Swallow Man By Gavriel Savit
“[A] splendid debut novel. . . . This is masterly storytelling.” —The New York Times
Set in Poland during the Second World War, Anna and the Swallow Man is a stunning, literary, and wholly original New York Times bestseller and Publishers Weekly best book of the year perfect for readers of The Book Thief and All the Light We Cannot See.
Kraków, 1939. A million marching soldiers and a thousand barking dogs. This is no place to grow up. Anna Łania is just seven years old when the Germans take her father, a linguistics professor, during their purge of intellectuals in Poland. She’s alone.
And then Anna meets the Swallow Man. He is a mystery, strange and tall, a skilled deceiver with more than a little magic up his sleeve. And when the soldiers in the streets look at him, they see what he wants them to see.
The Swallow Man is not Anna’s father—she knows that very well—but she also knows that, like her father, he’s in danger of being taken, and like her father, he has a gift for languages: Polish, Russian, German, Yiddish, even Bird. When he summons a bright, beautiful swallow down to his hand to stop her from crying, Anna is entranced. She follows him into the wilderness.
Over the course of their travels together, Anna and the Swallow Man will dodge bombs, tame soldiers, and even, despite their better judgment, make a friend. But in a world gone mad, everything can prove dangerous. Even the Swallow Man.
“Exquisite.” —The Wall Street Journal
“A graceful story steeped in history, magic, myth, and archetype.” —The Horn Book Magazine, Starred
“This deeply moving debut novel casts naivete against the cruel backdrop of inhumanity.” —Publishers Weekly, Starred
“[A] quiet exploration of love and its limits.” —The Bulletin, Starred
