An essay from award-winning author Kekla Magoon
Building Extra-Ordinary Writers
What would you give to not be ordinary?
In The Season of Styx Malone, ten-year-old Caleb Franklin would give anything to be something other than ordinary. Except he doesn’t have anything to give. That’s how ordinary he feels.
It doesn’t help matters that Caleb’s dad tells him he’s “extra-ordinary,” which Caleb assumes means “so unbelievably plain and normal.” Caleb lashes out in desperation to prove he’s special, and in so doing he encounters Styx Malone, his dynamic sixteen-year-old neighbor. In trying to emulate Styx’s wild ways, Caleb believes he’s found the path to being Not Ordinary.
As a teacher, I run into similar complaints from students about their writing. “I’m ordinary.” “I don’t have anything to say.” “I’m not very interesting.” “No one cares what I think.”
Says who? Clueless adults? Posturing peers? The discouraging voices of self-doubt inside? A society that actively devalues child and teen voices? All of the above?
The task of building self-esteem in students seems like it should be separate from the task of getting them to complete their assignments, but when it comes to writing assignments in particular, the two are often intertwined.
We teach writing because it is a valuable social skill—for communication, for critical thinking—and one that is necessary for survival in school and life. But writing can also be an invaluable resource for self-expression, growth, creativity, and healthy emotional processing that has little to do with society and everything to do with how we feel in our own minds. Who else teaches our students how important it is to tend to their souls? Who do they become when they are convinced their voices don’t matter? What destructive choices does the desperation of being unheard lead them to make?
Most importantly, how do we give them entry points to start writing if they are already convinced they have nothing to say? Here are four tips (two strategies and two prompts!) for inspiring reluctant writers to find their voice.
- Allow them to write about themselves…or not. We often assume that writing about oneself is easy. Personal essays are often the first assignment students receive (ex: “How I Spent My Summer Vacation”). For many students, writing about what is real is easiest, because facts and experiences and thoughts offer them a clear point of entry. This happened, then this happened, then this happened. For others, though, writing about what is real is too real. Too raw. Too personal as a place to begin. Some students might prefer writing about current events, or observations about other people and things outside themselves. (ex: “One Interesting Thing I Noticed This Summer”).
- Offer choices. A single prompt may or may not speak to every writer. Consider offering two or three choices of writing assignment that students can complete. As with the summer vacation examples above, even a simple rephrasing of the same basic assignment can give more students a point of entry, especially when they are drawing material from their own lives.
- Writing prompt: Write about an object as if it is a person. I developed this prompt a few years ago, and I love using it with students of all ages. With the youngest, focus on the physical attributes of the object and how that could translate to a person. (ex: A beach umbrella with a black pole and a red awning becomes a woman in a red skirt with black tights.) With older students, begin with the physical and then expand to add character attributes. (ex: Our beach-umbrella woman is protective of the people she cares about. She can take the heat, but she isn’t entirely stable.) Extrapolate to imagine what a person with those attributes would behave like. In the end, you’ve created a character! Follow up activities: Write a story about your new character. Create a second character using another object, and write a story about both characters together.
- Writing prompt: A character from scratch! Draw a stick figure of a character on a piece of paper. Name the character. Give them an age, and some physical attributes. Draw simple clothes and features. List the character’s likes, dislikes, family members, friends, fears, desires, goals, obstacles. You may eventually find that some of their desires conflict with their fears or their dislikes. This is fuel for a story!
These are two fiction writing prompts that emphasize creativity born from observation, as opposed to from the vacuum of a student’s mind. You can do them as a group and/or individually. You can do them as many times as you like! Everyone can observe an object (visually-impaired students can do it by feel) and make these leaps to storytelling, step by step. Starting simply, with character building, can offer a chance for students who are new to writing to see themselves as creative and clever. A finished story may feel special and thus seem challenging to write, but the building blocks of story are actually pretty ordinary!
As teachers, we can be instrumental in nudging students to discover their unique voices, and to begin to see value in their words on the page, and by extension, value in the thoughts and experiences that fuel them. We can challenge them to be bigger and better and push against the boundaries, just like Styx Malone does for Caleb. We can see their faces light up like Caleb’s does when he learns what “extra-ordinary” really means, and that something very special has been right there within him all along.
The Season of Styx Malone By Kekla Magoon
Caleb Franklin and his big brother Bobby Gene have the whole summer for adventures in the woods behind their house in Sutton, Indiana. Caleb dreams of venturing beyond their ordinary small town, but his dad likes the family to stay close to home.
Then Caleb and Bobby Gene meet new neighbor Styx Malone. Styx is sixteen and oozes cool. He’s been lots of different places. Styx promises Caleb and Bobby Gene that together, they can pull off the Great Escalator Trade–exchanging one small thing for something better until they achieve their wildest dream. But as the trades get bigger, the brothers soon find themselves in over their heads. It becomes clear that Styx has secrets–secrets so big they could ruin everything–and Caleb fears their whole plan might fall apart.